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Showing posts from February, 2019

Fiction, But Make it Scientific

Although Sci-fi can defy an infinite amount of universal laws from every type of science, my thirst for any sort of realistic application of science must be quenched through some aspect of my film. As I plan for my film to be set in outer space, I studied the effects of a long term residence there, and what activities people tend to participate in. 

Effects on a person's physical and biological state are one of the major consequences of living beyond the Earth. Muscle and bone mass, due to the difference in gravity, may lose up to 1% of its density every month. But that's not all! Don't forget the potential vision problems, a greater risk of osteoporosis, cardiovascular issues, the inefficiency of regular medication, malnutrition, and maybe, just maybe... kidney stones! 

To combat these issues, aside from extensive training and body conditioning beforehand, astronauts are required to go through extensive health checks, perform extensive exercise routines, and take supplements while on board. And for my very own space explorer, he/she will most likely be depicted having to do these monotonous chores in the film to keep themselves, well, alive.

Another problem that my character will face is sleep deprivation. If I have trouble falling asleep on Earth, laying on my comfortable mattress in my cozy home, I can not imagine how this would be in the cold and empty landscape of space. I can apply this fact to the appearance of my main character. The lack of sleep and limited access to sunlight would give my astronaut a gorgeous set of dark bags under the eyes and ghostly skin with an abnormal loss of coloration. 

And of course, as isolation tends to do, long term space travel can make one extremely depressed. In preparation for this, the spacecraft my character resides in may be saturated with items for entertainment or maybe even a form of artificial intelligence for he/she to communicate with. Additionally, I will be sure throughout the opening to avoid making anything too cheerful.

I have learned to leave our precious planet comes with a cost, and as much as I'd like to completely ignore these harmful effects and show a fun party ship with my main character being as healthy and happy as they could ever be on Earth, that is often not the case.

SOURCES:

1. Hollingham, R. (2014, May 06). Future - The effects of space travel on the human body. Retrieved from http://www.bbc.com/future/story/20140506-space-trips-bad-for-your-health

2. Mars, K. (2016, March 30). The Human Body in Space. Retrieved from https://www.nasa.gov/hrp/bodyinspace

Thanks, Dad

On my on-going endeavor to experiment with whatever special effects I could accomplish and incorporate in my Sci-fi film opening, I was running ideas across my father of certain effects I had wished to accomplish. Soon after, he had approached me with a small zipped up container.

Inside this little box were small, interchangeable camera lenses for my phone! (the device I'll be filming on!)

I had tested each of the 11 lenses in the box and immediately thought of ways to utilize a couple of them for my film.








The first few that I tried out were the color filters! In case I needed an entire scene to be completely enveloped in a color without the use of certain color lighting, these lenses would be perfect. Especially in certain cases where I need a certain emotional atmosphere or even attempt to show the temperature of a room, these lenses will definitely come in handy to give off a sense of tone.




The next lens was the kaleidoscope lens. Although at first it seems like more of a fun novelty photobooth filter, after further consideration of in which context this effect can be used, I came to see it in a sort of scene with a technological glitch of some sort; perhaps to portray the mental and physical strain of someone. Even something that looks silly at first glance when applied in the right way can create a serious emotion.




The starburst lens manipulates light in order to create a sort of star shape radiating from them. I am actually quite reluctant to apply this one in fear of making something look too cheesy. However, I may find some use when trying to create scenes of vast space to make lights appear like actual stars with apparent glares from them.





The last few lenses are the zoom, wide angle, and macro lenses. These can mainly come in handy when my phone's camera may come practically incompetent to accomplish a certain shot. 

I am very excited to incorporate the use of these effects in the film and hope I can apply them in a way that is both creative and effective to get a certain mood across. And for my father who supports my creative aspirations to make the best works of art I possibly could, I'm sure he'd be glad to know that his little devices came to good use.

Big Effects On a Small Budget


Sci-fi is a genre known for its innovative application of technology and special effects to create surreal landscapes of distant planets, armies of robots and aliens, complex spaceships, and much more life-like productions of our great imagination. However, regardless of how much imagination flows out of my mind, I am still a 16-year-old high school student with $5 in a pants pocket somewhere that's missing the technology and budget to create the masterful special effects made in the modern world of sci-fi cinema. So, I have turned to the expertise of the old Jedi masters of sci-fi to see how they created so much, with so little. 

I first took a look at the classic method of utilizing miniatures to create bigger scale scenes. 

Image: ARIES 1B from 2001: A Space Odyssey
A Trip to the Moon, made by who many call the Father Of Sci-fi, George Méliès, used this method in creating his iconic rocket in the moon scene by using special effects makeup on an actor's face and putting a small scale rocket into the eye. Films like George Lucas's Star Wars, Kubrick's 2001: A Space Odyssey, and Nolan's Interstellar used smaller scaled models in front of green screens for their shots of intricate ships floating in space. This, along with a technique called forced perspective in which the certain placement of objects filmed at a certain distance and angle to create an optical illusion and specific lighting, allowed for many of the impressive spacecrafts witnessed in many beloved Sci-fi films.

Related image
Image: The shot of the ARIES 1B model with effect

The Star Wars films also used the stop motion technique that George Méliès used to animate the movement of small ships, aliens, and robots. Because of their inability to have CGI objects, these filmmakers have turned to more practical means of creating just as effective effects.

Image result for george lucas and his miniature models
Image: Animating with stop motion in Lucas's Star Wars

As I plan for my film opening to be set in a spacecraft, I will be sure to fully utilize these cheaper, but just as successful methods of making optical illusions of one traveling in space and complicated machinery through stop motion and small scaled models. 

Now to design the ship!


Sources:

1. [On the Set for Star Wars, creating a stop motion animation from the behind the scenes film "The Making of Stars Wars" documentary made in 1977]. (n.d.). Retrieved from https://www.youtube.com/watch?v=FSuDjjlIPak

2. M. (2015, March 31). [Special effects technician Rodney Fuller (R) attends to the Aries 1B at Borehamwood]. Retrieved February 23, 2019, from http://cinefex.com/blog/aries-1b/
1966

3. ["Aries 1B in full effect for film 2001: A Space Odyssey"]. (2015, August 12). Retrieved from https://www.tested.com/art/movies/536765-2001-space-odysseys-aries-1b-miniature/

4. Maher, M. (2015, October 01). From the Moon to Galaxies Far, Far Away: Miniatures in Space. Retrieved February 23, 2019, from https://www.premiumbeat.com/blog/from-the-moon-to-galaxies-far-far-away-miniatures-in-space/

5. Mindling, M. (2018, May 22). 5 Low-Budget Special Effects for Your Sci-Fi Movie. Retrieved February 23, 2019, from https://tongal.com/blog/tongal-taught-me/5-low-budget-special-effects-for-your-cinespace-short/

6. Nedomansky, V. (2013, October 20). Visual Effects for Low Budget Filmmaking | VashiVisuals Blog. Retrieved February 23, 2019, from http://vashivisuals.com/visual-effects-low-budget-filmmaking/
Maher, M. (2015, October 01). From the Moon to Galaxies Far, Far Away: Miniatures in Space. Retrieved February 23, 2019, from https://www.premiumbeat.com/blog/from-the-moon-to-galaxies-far-far-away-miniatures-in-space/
Mindling, M. (2018, May 22). 5 Low-Budget Special Effects for Your Sci-Fi Movie. Retrieved February 24, 2019, from https://tongal.com/blog/tongal-taught-me/5-low-budget-special-effects-for-your-cinespace-short/
Nedomansky, V. (2013, October 20). Visual Effects for Low Budget Filmmaking | VashiVisuals Blog. Retrieved February 24, 2019, from http://vashivisuals.com/visual-effects-low-budget-filmmaking/
Maher, M. (2015, October 01). From the Moon to Galaxies Far, Far Away: Miniatures in Space. Retrieved February 24, 2019, from https://www.premiumbeat.com/blog/from-the-moon-to-galaxies-far-far-away-miniatures-in-space/
Mindling, M. (2018, May 22). 5 Low-Budget Special Effects for Your Sci-Fi Movie. Retrieved February 24, 2019, from https://tongal.com/blog/tongal-taught-me/5-low-budget-special-effects-for-your-cinespace-short/
Nedomansky, V. (2013, October 20). Visual Effects for Low Budget Filmmaking | VashiVisuals Blog. Retrieved February 24, 2019, from http://vashivisuals.com/visual-effects-low-budget-filmmaking/
[On the Set for Star Wars, creating a stop motion animation from the behind the scenes film "The Making of Stars Wars" documentary made in 1977]. (n.d.). Retrieved from https://www.youtube.com/watch?v=FSuDjjlIPak
M. (2015, March 31). [Special effects technician Rodney Fuller (R) attends to the Aries 1B at Borehamwood]. Retrieved February 24, 2019, from http://cinefex.com/blog/aries-1b/
1966
["Aries 1B in full effect for film 2001: A Space Odyssey"]. (2015, August 12). Retrieved from https://www.tested.com/art/movies/536765-2001-space-odysseys-aries-1b-miniature/
Maher, M. (2015, October 01). From the Moon to Galaxies Far, Far Away: Miniatures in Space. Retrieved February 24, 2019, from https://www.premiumbeat.com/blog/from-the-moon-to-galaxies-far-far-away-miniatures-in-space/
Mindling, M. (2018, May 22). 5 Low-Budget Special Effects for Your Sci-Fi Movie. Retrieved February 24, 2019, from https://tongal.com/blog/tongal-taught-me/5-low-budget-special-effects-for-your-cinespace-short/
Nedomansky, V. (2013, October 20). Visual Effects for Low Budget Filmmaking | VashiVisuals Blog. Retrieved February 24, 2019, from http://vashivisuals.com/visual-effects-low-budget-filmmaking/

♪ THE MUSIC MARKETING CAMPAIGN : THE WILD STARS ♪

       For the project, I, along with my group, was assigned with rebranding an existing band, as well as creating a music video and presenting how we planned to market and distribute their music. 

♪THE RESEARCH♪

       Regarding the research to create the most effective campaign, first we looked into the marketing and distribution patterns of two bands in the same genre of our band, Indie rock. We had chosen to do a case study of RCA record's Cage the Elephant and Walk The Moon, both of which share our relative target audience of teens to young adults. The bands had many aspects in their marketing campaigns alike such as an extensive online presence through social media and a primary website, a focus of distribution through streaming rather than download, music videos created of their most popular songs distributed through popular access sites like youtube and Vevo, and branded merchandise. 

  Image: Cage the Elephant's website (https://www.cagetheelephant.com/home/

     Additionally, through their ways of virtual marketing, they constantly posted updates on live shows, tours, new merchandise, and music and personal posts and fan interactions in an attempt to grow a relationship with their audience. This gave us a sufficient background in how we were going to plan our own campaign. 

     Like those of the band, we had emphasized our online presence through the creation of a website and different social media and how we would utilize them to grow closer to our band's listeners and increasing the band's exposure to our target audience, avid users of the internet. Our distribution, although also through physical copies such as CD and vinyl because it is popular for fans within the indie rock genre, was mainly put through to streaming services, it being the most popular way people listen to their music. We had also created merchandise as another way of marketing like Cage the Elephant and Walk the Moon as, besides from being another source of revenue, increasing exposure through the design and branding of them.

WHAT WE CREATED
BRANDING

Before we had created any marketing content, we had to decide how we would brand the new band, The Wild Stars(TWS).

We had decided on an iconic color scheme to the band of yellow, red, and orange, These warmed toned colors have certain connotations that match the image we wanted for TWS. The color red is associated with aggression, passion, and excitement which we believed to encompass the "rock and roll" feel of the band. The yellow represents the emotional and creative qualities and the orange shows the quirky, uniqueness of the band.

We created an allusion to another famous rock band KISS through the star on the eye iconography, giving us another way to brand our own band and create a positive association with another band. 

THE MUSIC VIDEO


     Our music video was in a promotional and storytelling style, presenting our band performing the song and having the lyrics narrate a story with the main character (the girl with the ginger hair) having an interaction with a prostitute and a criminal while strolling through town. 

     Rather than having the plain shots, we had added graphics and images overlayed on the clips to make the video more unique and visually intriguing. The sort of doodle-like, drawn style of the graphics makes it seem less "professional" and disconnected; having it seem more personal to the audience. The graphics also keep to a yellow/orange/red color scheme to match the color branding of the band. The constantly moving and colorful lights also show the performance to be fun and less serious. The eye makeup is another way of branding within the video. 

                                Image: Example of one of the graphics in the video


     The story depicted in the music video attempts to generate some sort of sympathy for a prostitute and a criminal through showing their personal struggles to justify their otherwise immoral and inappropriate actions/behavior. The target audience of the band (16-25) tends to weigh more on the liberal side of the political spectrum, therefore aligning with their views such as the empowerment of sex workers and the restoration of voting rights of former felons. And, the female sex worker and female main character relationship indirectly shows LGBT representation, however, rather than making it a "big deal" and dramatizing it, the interaction is shown as normal. There is also a big emphasis on economic struggles in the video and through the lyrics, which can be relatable to the young adult/college student portion of the audience with student debt and starting to find their way career-wise. These implied political statements appeal to the target audience as it applies to the views most common with their age group leaning to more liberal and shows they are up to date with current events. The backlash from some is also considered, but controversy can even serve well for the exposure of the band. 

ONLINE PRESENCE

     First, we created an official website for our band to hold all their information organized in one place. 


    The heading of the website that appears constant throughout all the pages of the website. At the very top is the logo of the band and a gif of moving stars (can be seen on the physical website) which automatically catches the viewer's eye through its movement. 

    All the social media links are concentrated on the top right corner and the links to streaming services at the bottom left corner of the header, both on a piece of ripped paper. The style of the website, although still appearing professional and official, has a constant motif of little drawings and taped up paper and pictures. The purpose of this ongoing style throughout the design of the website is to resemble that of a notebook or diary, making it seem more personal to the audience. 

(The small pixelated figure is explained in another section of the blog entry. Scroll below to the interactive media portion for the explanation.)



    Once the audience scrolls down further, the first thing they see is a replaying portion of the music video with a link to go view it, right away the marketing for the single being the first thing they encounter on the home page.


     The next thing the audience sees is a list of live shows/tours and where they can buy tickets to see the band. There are also pictures of the band members to create some sort of identity for them on the homepage. The SHOWS tab on the website holds the same content.


     Then, constant like the header at the bottom of every webpage, is a widget to get the audience to sign up for a newsletter so they could have news about the band go directly to them via email.

   
     The next page on the website is the merchandise. Here the audience can find promotional merchandise such as t-shirts, sweatshirts, stickers, and temporary tattoos. They were all designed to be enticing with the iconography of the band so exposure of the band's name and branding can be seen physically through a fan using the merchandise. There is also an option to buy a physical CD of the upcoming album for the band. The option to buy a signed polaroid picture is to provide the audience with a sort of keepsake that seems very personal with a nostalgic element to build a relationship with them.


    The music tab contains a graphic that contains in text that an album is to be expected soon, marketing it right after the release of the single in hopes that those who follow the band for the single also listen to the album when it comes out. Along with that, the already released music is on the page and provides all the links to listen to the song and watch the music video.


    The final page is a blog in which the band may share personal messages from the members or promotional material and updates on the band. Making a blog for the band creates a way to develop an intimate relationship with the audience as they can communicate to the band members this way and vice versa. 


     Regarding social media, we planned to create a Tumblr, Instagram, twitter, and facebook; the most used social media for our target audience. Besides the promotional material we would post like news of upcoming music, tours, shows, music videos, merch, etc., we would also have personal posts from the band members and interact with the fans so it could make more of a personal connection with the audience through their social media presence. Being on social media alone would also give the band exposure through algorithm-based recommendations. We would follow individuals on social media based on how their interests are linked to the indie rock genre or their interest in the genre alone to use this algorithm to our favor.       

    These social media also have an option to live stream so the band could have live streamed performances to further interact with the audience online and expose their music to a wider group of people.

INTERACTIVE MEDIA

    Rather than using traditional ways of advertisement for marketing which may annoy audiences especially if they were saturated all over the internet, we decided to create more enjoyable, interactive ways of marketing to get exposure and gain listeners.


    The image shown above would be a physical sticker placed in multiple local locations of the band with a large number of teens and young adults. The size would be much bigger in real life and this paired with the bright yellow color makes it eye-catching, even from afar. Those with a cell phone may follow the instructions on the sticker in order to open a link to a video game.



    Riding off the recent popularity of choice based productions like Netflix's BANDERSNATCH, the game is in an RPG style, in which the player can make decisions for a character and have multiple outcomes. 

    The character played is branded with the red star on the eye. The character selection screen would look similar to the example shown. However, the actual production may have more choices for customizing the appearance to be more inclusive of all different looking people so any player can feel connected to the character; but, it cannot be too extensive in which it could take away from the actual gameplay. 

    The setting of the story is that of the music video, with the interactions with the prostitute and the criminal. The player encounters different paths and choices that lead to alternative endings based on the combination of choices made. This may also allow the player to play the game for a longer time to access all of the different endings.

    Aside from promoting the music video through the similar setting, the single would play throughout the entire gameplay, and, at every ending of the game there would be a link to the band's website, social media, and where to listen to the song.

Clicking the pixelated man on the website gives another way to access the music video through online means. It can also be shared through a link. 


    We also decided to create an Instagram filter, another type of interactive media. Followers of the band's Instagram gain access to an exclusive filter that may be used on the Instagram app's camera. While someone creates a video or a picture with the filter and posts the media, the single of the band would play throughout. Viewers and users of the filter may click on the name of the song to listen to it through Spotify. 

    The filter features the iconic star makeup on the users face as well as small moving graphics of stars around them, visually similar to that shown in the music video.  

CONCLUSION

   Through the completion of this project, in creating the music video, I attempted new editing techniques with overlays, as well as experimented with color psychology when thinking about the graphics. I also observed how the pacing of cuts can serve a great purpose in exhibiting the tone of the video. When creating the website, the specific style chosen to exhibit a more personal feel, with a resemblance to a journal through some of the visual elements like the ripped up paper showed me how to manipulate the design of something to achieve a certain perception from the audience. I will be carrying this through into my portfolio project and keeping this in mind while creating my film opening, making every decision purposeful with the feeling I want to achieve in the audience, as well as make it look visually intriguing.